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The Good - The Bad - The Ugly
STUDIO PHOTOGRAPHY:
THE STATE OF THE
BUSINESS
After spending a week at home without the rigors of traveling that sometimes muddle my brain, I've done
some thinking about the state of business among studio photographers. These reflections were prompted by the fact that I'm nearing the end of my
teaching
schedule this year
. . . a year in which I've taught more classes to more students than in any other period of my career. For years you couldn't give away a business
class; today there are waiting lists for marketing and management workshops and seminars, and the classrooms are filled to overflowing. This shift
should come as no surprise, given the huge numbers of new photographers in the industry, the prevalence of automatic prosumer cameras, and the
ongoing
challenges of still-evolving digital technology. Nonetheless, I suspect that some of the things I've observed this year might be of interest, given
the fairly chaotic nature of our industry today. So here goes:
The Good
- The quality of photography today is better than I've ever seen it. Photoshop allows photographers to
achieve artistry and style far faster than during the film years. I can only marvel at the skills of those younger photographers who have studied
Photoshop and graphic design in high school. But it's not just the new guys who are reaching these heights: Those veteran photographers who were
highly skilled in traditional photography and who have embraced digital technology are really soaring! And yes, Photoshop can make even a mediocre
photographer look good; but Photoshop cannot correct bad business practices.
- More and more photographers are recognizing that unless you wish to do mass-production photography,
today's business climate requires a business concept that is designed to appeal to a specific target market instead of trying to be all things to
all
people. They understand that the new breed of consumer appreciates a specialist rather than a generalist, and they are learning that this type of
business is much easier to run. Note that I did NOT say "easy to run" :-).
- It's great to see how some industry veterans are reinventing their businesses, using the strong
technical skills and the business knowledge they've acquired over time to re-brand their studios. I just wish there were more of
them.
- In contrast to their predecessors, younger photographers generally are more interested in learning
about how to run a business. Perhaps this is because digital cameras have shortened the technical learning curve for a generation that was brought
up
around visual media, or it is a function of their more material upbringing. Frankly, I don't care: It's exciting to see a really talented
photographer
who is as concerned about Cost of Sales as he or she is about f/stops.
- The "Entitlement Generation," God bless them, are now our clients. Sociologists and marketers are all
over this fascinating new consumer group that is well educated, well financed, and will deny themselves nothing when the marketplace offers them
something appealing. Understanding how they think and act is central to attracting these upscale clients. The good news is that all you have to do
is
Google "The Entitlement Generation," and you'll find lots of fascinating information.
- The style of today's home décor lends itself to using portraits as decorative focal points
throughout the house. There literally are no limits on photography as customized, personalized art for multiples rooms, making it more valuable than
"just a photo."
- I'm enthralled by some of the newer breed of photographers who find so much creativity in marketing
that they put as much energy into this aspect of the business as they do in creating exciting images; it's a great formula for
success.
- Photographers who are paying attention to their numbers are making substantially more money than
their predecessors. Until the publication of PPA's Benchmark Survey in 2006, we had only anecdotal evidence of an emerging prosperity in segments of
the photography industry: The survey showed that the top 15% of participants were keeping more of every dollar spent with them than any other groups
for which we have records. If you are a PPA member, you can download the survey by clicking here.
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Don't miss your last 2 chances to learn from
Ann Monteith in 2008:
On September 15 -- Pittsburgh,
PA
Spend the day with Ann and learn to
Shoot Smart . . . Price
Smart . . . Sell Smart
Pittsburgh Airport Marriott
Hotel
only
$79!
Click Here
For More Information
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photo by Dave Cruz
On November 10-12 -- Atlanta,
GA
Join Ann and Julia Woods for a
PPA Studio Management
Services
3-Day Studio Workshop
PPA Headquarters
Click Here
For More Information
Want to learn more about
The Business of Photography?
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